These are the finalist nominees for Journalism the 2025 JJA Jazz Awards. Nominees in most categories were chosen by the votes of the Professional Journalist members of the Jazz Journalists Association. Nominations were made on the basis of work done in calendar year 2024, with the exception of Lifetime Achievement/Career Achievement Awards categories, in which nominations are for a lifetime body of work. Members and others were able to submit their own work for consideration in the Photo of the Year category; a committee of JJA members chose the nominees in that category from among the submissions. Nominees for Book of the Year and Album Art of the Year were also pre-screened by committees.
Nominees
Lifetime Achievement in Jazz Journalism
NATE CHINEN
b. 1976 and writing about jazz since 1996, is currently editorial director of WRTI (Philadelphia) and formerly director of editorial content at WBGO (Newark), also reporting on NPR. Active on social media and with a Substack titled The Gig (based on his longtime column at the former JazzTimes), Nate is the author of Playing Changes: Jazz for the New Century, and co-authored George Wein’s autobiography Myself Among Others: A Life in Music. He’s been a critic at the New York Times, the Village Voice and Philadelphia City Paper, published in national magazines. and has won the JJA’s Helen Oakley Dance – Robert Palmer Award for Excellence in Writing 13 times.
DAN OUELLETTE b. 19??, has written about jazz in DownBeat for more than 35 years, as well as for Qwest.tv, Medium, Billboard, Variety Muck Rack and many other publications. His books include The Landfill Chronicles (Cymbal Press, published March 2024), the Ron Carter biography Finding the Right Notes, and Bruce Lundvall’s biography Playing by Ear (published by ArtistShare). Dan is a web-producer and jazz festival curator of artist interviews. He’s maintained a column, Jazz & Beyond Intel, now at danouellette.net for 15 years.
SASCHA FEINSTEIN b. 1963, is a poet, essayist, editor and scholar, who writes and teaches (at Lycoming College in Williamsport, PA) from interests in particular at intersections of poetry and jazz. He’s the editor of the journal Brilliant Corners, producer of the radio series Jazz Standards, responsible forThe Jazz Poetry Anthology, The Jazz Fiction Anthology, Ask Me Now: Conversations on Jazz and Literature, and Writing Jazz: Conversations with Critics and Biographers, among other books.
PAUL DE BARROS
b. 1945 has been writing about jazz since roughly 1982, starting in The Seattle Times (longtime columnist and music editor there) and DownBeat, leading to broad freelancing. He’s the author of Jackson Street After Hours: The Roots of Jazz in Seattle (1993) and Shall We Play That One Together?: The Life and Art of Jazz Piano Legend Marian McPartland (2012, reissued with a new preface in 2024). Paul was instrumental in the founding of Seattle’s EarShot Jazz organization, and was an early member of the JJA. He’s taught jazz history at Seattle Pacific University, Cornish College of the Arts and at the University of Washington and has been working on Outpost by the Sound: Seattle Jazz 1960-2020, due from The History Press in 2026. He leads a group that designed a self-guided tour of Seattle’s historic Jackson Street jazz district.
Print Periodical/Website of the Year
(edited, curated, multiple contributors)
Blog of the Year
(posts by a single author or collective)
The Gig,by Nate Chinen
Jazz Wax by Marc Myers
Playback by Lewis Porter
Transitional Technology/Do The Math by Ethan Iverson
Book of the Year about Jazz::Biography or Autobiography
Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year , Paul Alexander (Penguin Random House)
Bring Judgment Day: Reclaiming Leadbelly’s Truths from Jim Crow’s Lies, by Sheila Curran Bernard (Cambridge University Press)
In the Brewing Luminous: The Life and Music of Cecil Taylor, by Philip Freeman (Wolke Verlag)
Jazz Revolutionary: The Life and Music of Eric Dolphy, by Jonathan Grass (Jawbone Press)
Book of the Year about Jazz::History and Culture
Focus on Women in Jazz, by Guy Fonke (Editions Schortgen)
In with the In Crowd: Popular Jazz in 1960s Black America, by Mike Smith (University Press of Mississippi)
Jelly Roll Blues: Censored Songs and Hidden Histories, by Elijah Wald (Hatchette Books)
Playing the Changes: Jazz at an African University and On the Road, by Darius and Catherine Brubeck (University of Illinois Press)
Robert Palmer-Helen Oakley Dance Award for Excellence in Writing 2024
Ted Gioia is the force behind The Honest Broker, an exhaustive, expansive daily blog on Substack. He is also the author of 12 books on the histories, origins and functions of jazz, blues, love songs, work songs and standards. A serious researcher and collector, he was president and editor of late, lamented Jazz.com, helped found Stanford University’s jazz studies program, has worked as a jazz pianist and Silicon Valley business consultant.
MICHAEL JACKSON, JackoJazz, is a multi-disciplinarian — writer, photographer, printmaker, saxophonist, event instigator and story-teller — based in Chicago. He writes often for DownBeat, with his own photos illustrating and placed on covers, sometimes the Chicago Sun-Times, and elsewhere — working while traveling to his native England, NYC, Panama, Japan and beyond.
BILL MILKOWSKI, now living near Hartford, CT, is a veteran freelance jazz journalist, articles writer and author, who reports he had a banner year in 2024, publishing in diverse periodicals including DownBeat and posting Musings on Music by the Milkman at Substack. His seven books include bios of Michael Brecker and Jaco Pastorius, collaborations with Pat Martino and Keith Richards, and a history of “jive,” but he believes the Palmer-Dance Award be given for writings in journalistic periodicals.
GIOVANNI RUSSONELLO is a New York Times reporter who has contributed frequently to the newspaper’s “Five Minutes to Make You Love . . ” column, as well as obituaries, reviews and interpretive profiles. He has contributed to DownBeat and other jazz monthlies. He was a co-founder and editor-in-chief of Capital Bop, Washington D.C.’s blog-calendar-event-info site, and teaches writing as an adjunct at New York University.GIOVANNI RUSSONELLO
HANK SHTEAMER has written about music professionally for more than 20 years, including stints as an editor at Time Out New York and Rolling Stone. He currently contributes to The New York Times, Pitchfork, Tidal and blogs at Dark Forces Swing Blind Punches.
JOSEF WOODARD is a career-long journalist and critic, covering jazz and pop from his home in Santa Barbara, CA. His work has been published in DownBeat, JazzTimes, JazzIz, Rolling Stone, Jazz Hot, Opera Now, Scene, San Francisco Classical Voice, the Santa Barbara Independent, All About Jazz and so on: a sample of 2024 clips regarding fests is here. His books are Charles Lloyd: A Wild, Blatant Truth (2015), Conversations with Charlie Haden (2017), and Ladies Who Lunch 2024), a satire. He’s also a musician, releasing productions on Household Ink Records.
Podcast of the Year
All That’s Jazz, by Allen Scott
The Third Story with Leo Sidran
Willis Conover-Marian McParland Award for Career Excellence in Broadcasting
Matt Fleeger is the long-time program director of KMHD, Portland and host of weekday program “New Jazz for Lunch,” having started in broadcasting at age 18. Prior to arriving in Portland, he worked in radio in Pittsburgh and San Antonio.
Dick Golden, host of “American Jazz” on SiriusXM, started broadcasting in the 1960s as a teenager on a Portsmouth, NH station, and has spun the American songbook ever since — on WQRC from Cape Cod for 27 years — speaking from a rare depth of knowledge of and experience with the great singers.
Arturo Gomez was music director of KUVO, Denver, for 24 years, and was named its “Cultural Ambassador” in September 2024. He hosts the shows Tune in to Lunchtime! weekdays at noon, and Salsa con Jazz, on Sunday afternoons.
David Kunian hosts long-running The Freakologist Lunatique Show on New Orleans’ WWOZ. He’s also the New Orleans Jazz Museum Music curator, and New Orleans Jazz and Heritage Festival stage interviewer and a freelance journalist.
Leslie Keros hosts jazz and blues shows on WDCB, Chicago, also producing reports for its program The Arts Section. Having worked as a book editor, she began broadcasting around her native Detroit area in 2000, and joined ‘DCB in 2010.
Lona Foote-Bob Parent Award for Career Excellence in Photography
Jeff Dunn work samples
Luciano Rossetti work samples
Mark Sheldon work samples
Robert Sutherland-Cohen work samples
Livestream Producer
Photo of the Year
Album Art of the Year
If you are a 2025 Nominee, or a 2025 Voter, and would like a “badge” to display on your website, email Admin@jazzjournalists.org.
Note: We ask that you DO NOT cut-and-paste or copy the nominee list into your own blog or site, please link to this page instead. We welcome coverage and commentary on the list, of course, that includes some nominee names. If you blog about or report on the nominees we will be happy to link back to you; please send the URL of your blog post or report to admin@jazzjournalists.org
2025 NOMINEES FOR PERFORMANCE & RECORDINGS
2025 Nominees for Performance & Recordings
These are the finalist nominees for Performance and Recordings for the 2025 JJA Jazz Awards. Nominees in most categories were chosen...
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